A. Rey Pamatmat’s plays include Edith Can Shoot Things and Hit Them (Actors Theatre of Louisville), after all the terrible things I do (Milwaukee Rep), House Rules (Ma-Yi), Thunder Above, Deeps Below (Second Generation), A Spare Me (Waterwell), and DEVIANT. His newest play, Safe, Three Queer Plays, follows the seismic changes in Queer America through a gay man of color’s life. Rey contributed to a collaborative libretto for Desert In, which premiered on the Boston Lyric Opera’s operabox.tv and his television work includes shows for AMC, ABC Signature, Amazon Prime, and HBO. His work has been translated into Spanish and Russian, performed in Mexico, Puerto Rico, and Russia, and published by Concord Theatricals, Playscripts, Cambria Press, and Vintage. Rey is the former co-director of the Ma-Yi Writers Lab, and was a PoNY, Hodder, and Princess Grace Fellow.

May Adrales is a director, artistic leader, teacher, and mother who has directed over 30 world premieres. Her recent work includes productions at Manhattan Theatre Club, Second Stage, Yale Rep, Guthrie Theater, Huntington Theater, Signature Theater, Lincoln Center, The Public Theater, WP Theater, New York Theater Workshop, Oregon Shakespeare Festival, Seattle Rep, Milwaukee Rep, and South Coast Rep. She has received the Ammerman Award at Arena Stage and Theater Communications Group’s Alan Schneider award. She is also a finalist for the SDCF Zelda Finchandler Award and has held fellowships and artistic positions at numerous prestigious institutions. May currently serves as the Director of the Theatre Program and Assistant Professor at Fordham University. She has also taught at Juilliard, Harvard/ART, ACT, Fordham, NYU, Bard College, Yale School of Drama, and Brown/Trinity MFA program. May holds an MFA from the Yale School of Drama.

Teresa Avia Lim. Broadway: Ayad Akhtar's JUNK at Lincoln Center. Other works: Shakespeare in the Park's all female production of Taming of the Shrew, NAATCO'S Awake and Sing, Macbeth, and Call and Response at the Public Theater, Knight of the Burning Pestle with Fiasco and Redbull, Once Upon a Korean Time with Ma-Yi and Snow in Midsummer at Classic Stage. Teresa originated her roles in Galilee 34, Peerless, Water by the Spoonful, Edith Can Shoot Things and Hit Them, and Concerning Strange Devices From the Distant West. TV: BUPKIS on Peacock, MONSTERLAND (Hulu), THE CODE (CBS), RAY DONOVAN (Showtime), GROUP, BLUE BLOODS (CBS), LIMITLESS (CBS), UNFORGETTABLE (CBS), LAW & ORDER: CRIMINAL INTENT (NBC). Film: THE WOODS ARE REAL, MOONSKIN FEVER, GROUP, ALL RISE. She is a graduate of the Yale School of Drama and an inaugural Recipient of the Jerome L. Greene Foundation Scholarship.

Jon Norman Schneider most recently appeared in Usus for Clubbed Thumb's Summerworks festival. Select NYC credits include Poor Yella Rednecks (Manhattan Theatre Club), The Coast Starlight (Lincoln Center Theater), Catch as Catch Can (Playwrights Horizons), The Chinese Lady (The Public), Lunch Bunch (Clubbed Thumb), among others. Regional: Actors Theatre of Louisville, Alley, Alliance, Barrington Stage, Dorset Theatre Festival, Goodman, Huntington, Kennedy Center, Long Wharf, Magic, McCarter, Milwaukee Rep, Mosaic, Northern Stage, Old Globe, and South Coast Rep. Film/TV: Bitter Melon, Manila Is Full of Men Named Boy, The Normals, Angel Rodriguez, "Evil," "The Endgame," "Jessica Jones," "Veep," "30 Rock," and "Law & Order: Criminal Intent."