Open Process: Who’s Actually Taking the Risk Right Now?
There is a quiet shift happening in the theater world, not necessarily in the work itself, which remains as inventive and unpredictable as ever, but in who is actually moving it forward. Over the past
What You Can’t Measure (But Actually Matters)
We’ve been in these rooms for a long time. Rooms where a piece is halfway between what it was and what it might become. Rooms where everyone is a little tired, a little uncertain, and still showing
Notes 2.0: Ship It (What Code Reviews Can Teach Us About Giving Notes)
This post is part of Notes 2.0, our series about what it actually looks like to make new work: messy drafts, real questions, useful frameworks, and the moment you decide to show the thing before it’
Notes 2.0: Stop Defending Your Thesis and Start Joining the Room
You know that feeling when you're sitting in a development room and someone asks you a question about your script, and your shoulders immediately tense up? That split-second where your brain goes
Two Sides of the Same Heart: The Power of Split-POV Storytelling
Split-POV stories are catnip because they admit what most narratives politely ignore: two people can live through the same event and come out holding different receipts. It’s not just a “cool stru
The “No-Budget” Spectacle: How to Write Big Ideas for Small Rooms
Here's the thing nobody tells you when you're starting out: spectacle doesn't live in the budget line. It lives in the idea. I know that sounds like motivational poster nonsense, but st
The Musical Engine: Why Your Script Needs a "Song" (Even if No One is Singing)
Here's a thought that might be controversial: we think every writer: whether you're crafting a gritty TV pilot, an indie film, or a three-character chamber play: should study musical theater
Looking Them in the Eye: The Art of the Direct Address Opening
There's a moment in theater that nothing else in storytelling quite replicates. The lights come up. An actor steps forward. And instead of pretending you're not there, they look right at you
From the Attention Economy to the Story Economy
Last weekend, right before the snowstorm that hit much of America, my wife and I joined a Robert Burns’ Night gathering in our neighborhood. Celebrating the national bard of Scotland, the evenin
Episodic Engines: TV Structure Tools for Theater Writers (and Anyone Building a Series)
You've got a world. Characters you love. Maybe a sprawling story that refuses to fit into a tidy two-hour play. Or maybe you're a TV writer staring at a pilot that feels… thin. Like it
The 2025 OP Inspiration List
From the team at The Orchard Project, we’d like to wish you and your loved ones a wonderful holiday season and a happy new year. Once again, as our annual holiday gift to you, we asked Orchard Proje
Why Artists Are Self-Producing (and Succeeding) More Than Ever — And Why The Orchard Project Is Stepping In
If you squint at the arts landscape right now, you’ll see something counterintuitive happening. Yes, the theater, film, and performance industries are contracting. Yes, producing opportunities are s