Lily Haje is a New York-based theater artist interested in research-based, devised performance and puppetry. Credits include: translating, adapting and directing Tobie (Yale Cabaret); co-curating and creating work for Love Songs (Yale Cabaret Online); serving as dramaturg on littleboy/littleman (Yale Drama Carlotta Festival), The Brightest Thing in the World (Yale Rep), There is a Thing at the End of the Loop and #4(Yale Cabaret), and Romeo & Juliet (Yale Drama); and devising and directing Telegraph Bois (Ars Nova), The Silo (Ars Nova), and Fire + Bone (Wesleyan University). She recently completed an MFA in Dramaturgy & Dramatic Criticism at Yale, where she served as a managing editor at Theater magazine and is currently pursuing a doctorate. Before grad school, she worked as an associate producer for Music-Theatre Group and as an associate production manager with Woodshed Collective and Iron Bloom Creative Productions, among other jobs inside and outside the theater. BA Wesleyan University (Theater, Study of Religion); MFA Yale School of Drama (Dramaturgy & Dramatic Criticism).