Peter A. Campbell is a performance maker, director, writer, dramaturg, scholar, and teacher. His professional productions include META EX MACHINA, which premiered in 2024 in the Pascal Gallery at Ramapo College; (Orestes) The Son (published in 2024 by No Passport Press) and Can’t Get There From Here, developed at MASS MoCA’s Assets for Artists; and medea & medea/for medea, iph.then, and Yellow Electras at the Incubator Arts Project at St. Marks’s in New York City. His work focuses on making live performances that crash through boundaries of media, genre, storytelling, and audience to expose the processes of creation and performance in order to examine our myths, our stories, and our methods of telling them. His work as a director and dramaturg has been produced at venues including La Mama, The Chocolate Factory, P.S. 122, Under the Radar Festival, ICA Boston, the Connelly Theater, Under St. Mark’s, and The Red Room. He has published essays in venues such as Theatre Topics, Contemporary Theatre Journal, Modern Drama, and Theatre History Studies, and founded the online journal Theatre/Practice. He is a Professor of Theater History & Criticism at Ramapo College.