Old Dykes (It Ain’t Over)

Old Dykes (It Ain’t Over)

Old Dykes (It Ain’t Over)

Elise D'Haene

A chosen family of older Pittsburgh lesbians face a diagnosis of ALS in their beloved matriarch and are distrustful about her young loverā€™s ability to provide care. Queer THIS IS US.
Project Status:Needs producer
Project Description:

Shelby (45), a moody, gifted, immensely cool playwright, is 30 years younger than the great love of her life Helene, an irreverent, smack-talking poet (think Sarah Paulson & Holland Taylor). Their relationship has not been embraced by Heleneā€™s lesbian posse ā€“ an older gang of misfits who are suspicious of Shelby and fiercely protective of their matriarch. When Helene receives a diagnosis of ALS, she convinces Shelby to secretly assist in her death before she begins to deteriorate even more. (Whatā€™s that old saying: If you want to hear God laugh, tell her your plans.) The meticulously plotted suicide attempt, on Heleneā€™s 75 birthday, goes belly-up. An epic failure. On top of it, the queer posse shows up uninvited to throw a surprise birthday party. It says a lot about Helene that she can be as extraordinarily present to her death as she is to blowing out birthday candles. Maybe it isnā€™t over after all. Shelby, though, is hurled into an emotional tailspin. Set in Pittsburgh, our family of characters are middle-class. They live messy lives. Along with their older queer brothers, they support each other when times are tough and are as uniquely dysfunctional and relatable as any family.

Bios:

In my novel, a bereft lesbian is introduced having a miserable orgasm, ā€œLetā€™s just call it an org.ā€ While her gay brothers are dying of AIDS, she is abandoned by her unfaithful girlfriend, and if that wasnā€™t enough, her vagina, affectionately called Mona, has gone AWOL. Will she survive the heart-wrenching death of her queer boys? Will she regain her passion? Similar to my novel, my TV and film characters carry regrets, losses, and the nagging shame of unrealized desires. I approach my creative work with deep honesty and a fierce willingness to expose the stuff that I spent a good chunk of my life hiding. I throw my characters into the abyss. I leap with them, quivering with a baby chickā€™s heart. The journey may start as an ā€œorg,ā€ but eventually, the journey unfurls into a glorious metaphorical orgasm. Spoiler alert: Mona is living her best life.

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